Book Conceptualization
- Editorial
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Tan Prints owes its success to its core strength-the Editorial team comprising of highly motivated group of over 200 associates from legal community (viz., lawyers, chartered accountants, company secretaries) who monitor all the developments in the judicial, administrative and legislative fields and process the information with impeccable perfection and skill. This unit is spread over 10,000 sq. feet landscaped area providing perfect environment to its editors and their associates.
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- Author Facilitation
Tan Prints is one stop shop for materializing your concepts of Book publishing. We welcome Authors with concepts of writing books to avail our services of Contents Development, Design Planning of Interior/Exterior of the book, Proof Reader, Sense Reader, Indexing, selecting right quality of Indian paper and give them most economical solution of Printing and Binding. We can further help them in Marketing and Distribution of their book throughout India.
In a way Tan Prints gives opportunity to author & publisher to show-case their product in the Indian Market.
At Tan Prints we have Complete Library of Indian Case Laws which would help you in authoring your books in Indian context. We have a team of experts who can make Content, Table of Cases and Index of your book.
We can help Authors/Publishers to select cheaper and good quality of paper from any India Paper mill. This would further help in cutting down the cost per book.
- Content Development
We strive to help our authors write the best books possible and to make the writing experience enjoyable and rewarding. We also strive to produce an attractive, well-designed product and market it extensively.
The publishing of a book is a substantial investment of time on your part and time and money on our part. You want the book to be as widely read as possible, and so do we. Thus, we need your assistance in carefully identifying the readers that you think will be interested in reading your book.
When your proposal arrives at Tan Prints, it will be assigned to an acquisition editor who specializes in the field that corresponds to your proposed project. Upon assignment, this acquisition editor will set a couple of key steps in motion. He or she will spend some time reviewing and identifying the content
- Interior And Exterior Planning of The Book
Type-Setting
Typesetting and layout involves setting the book's text and graphics into a layout according to the designer's specifications. Extra spaces and carriage returns, unneeded tabs, and manual page breaks all have to be removed. The typesetter will look for poor hyphenation, large gaps between words, and other issues that affect the page's beauty and readability. We use page layout software, like Adobe Page maker, Adobe InDesign or QuarkXPress.
Editing
Sense Reading and Grammatical Mistakes At Tan Prints we have a team of learned teachers/lecturers who methodically go through the proofs for grammatical/sense reading mistakes. This is very painstaking and laboring process Proof Reading This sort of work, performed by our experienced in house team of 100 proofers, involves painstakingly reading the proofs against the manuscript. The page proofs of your manuscript are proof read by several people several times as it passes through the production process; our in-house proof readers go through proofes.
Please note, proofing is not copy editing. Copy editors typically make numerous changes in original manuscripts for the purpose of correcting or improving the text. Proofers, on the other hand, read typeset material, searching for errors introduced in transferring the text from one form (e.g., copyedited manuscript) to another (e.g., page proofs).
Book Cover
Your book's cover is the first thing a prospective reader sees; Covers are very important, unless you have a cover concept and are willing to obtain original art yourself, we suggest to hire a specialist in cover design. Covers are almost always printed in process color, or four inks — cyan, magenta, yellow, and black — blended together on the printed page to produce a range of colors. Not every visible color can be represented in ink. Some publishers also have the covers embossed or foiled, or add a fifth ink in a spot color. A spot ink is mixed before printing so that it will be the exact color desired. Covers are laid out in a flat, a single sheet of paper for front, spine, and back. The paper is larger than the actual cover to allow room for the bleed, where the ink extends past the design. The bleed will be trimmed later. The designer needs to know the final trim size of the book, the number of pages, and the paper used. These last two details allow the designer to calculate the spine width.
Book Interior
Designing the book interior is a separate task from designing the cover. Interior book design involves selecting the typeface, its size, and the leading; deciding how to indicate section breaks and the various levels of headings; selecting a format for tables and figures; and more.
The design should match the book's subject matter in tone, and be appropriate for the intended readers. For example, children's storybooks normally use large, easy-to-read fonts. A fantasy novel may have a special treatment for the first page of each chapter.